– that is, a work that is apparently simple but actually infinite, since each time one reopens the book, it proves to have lost the pages one already knew while surprising the reader with new pages that she had never seen before (Borges’s book of sand is of course the symbol of what great literature should be and what it can do with a reader, but this is another discussion).
Dedicated to ‘transport enthusiasts’ and short-listed for the Photo-Text Award at is generically defined by the authors as a ‘photo-essay’.
It was a mixture of what I felt and what Björn felt but also what Benny and Frida [the other couple in Abba, who also divorced] went through.’The new monument to the group’s decade of dancefloor dynamite is timely, as Agnetha Fältskog, always the most retiring of the Abba four, has emerged from her Swedish island home to release an album of new songs.
This is home to Jörgen Elofsson, the co-producer and writer of her new album A.
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I am hanging out in the kitchen, a little bit tense, as she’s somewhere in this house having her make-up done.
She is excited about her album and a little nervous, but it is full of lushly orchestrated numbers, every track about love and heartbreak, including a seductive duet with Gary Barlow. ‘I will always be compared with Abba, with what was.
As a book object, is a very personal and creative appropriation of a vital strand in modern photography and writing, namely found footage, more precisely: found photographs.
However, since these pictures happen to contain a dizzying variety of words and inscriptions, found photographs are also found texts (it is, of course, not a coincidence that Mireille Ribière is not only writer but also photographer and that Paula Roush similarly combines word and image in her various assignments).